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I shoot him a disapproving stare and put my phone in my back pocket. There's a smattering of folks in the Denver airport and a promising herd on arrival in San Francisco this is tech land, after all. Sadly, none of them were on my flights. Instead, the conductor Daniel Barenboim offered her the lead. Apart from displaying the plush, even quality of her voice, that patriotic track is no revelation. Rachvelishvili's account of Azucena's narrative "Condotta ell'era in ceppi," from Il Trovatore, on the other hand, gives credence to the delirium unleashed by her recent Metropolitan Opera assumption of that role. Rather than the scenery-chewing gorgon so often encountered here, we meet a creature of imposing dignity yet also of great fragility, reliving in a trance the harrowing events that changed her life forever.

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